Sound Pure's Take

Worthy of the man himself!  The painstakingly recreated '39 Martin neck profile could not feel more effortless or natural.  We decided to order this one in with Adirondack, as that's what Julian preferred for his own model.  Sensitive, direct, and fair--this guitar lays it all out there with absolute detail and clarity.  Lage himself has remarked that he sees the model "as a teacher"--imagine what it can do for you!

From Collings Guitars

When Bill Collings first met the brilliant young jazz musician Julian Lage, in 2014, the two began a series of in-depth conversations about their respective crafts. Lage's profound insights as a guitarist would play a key role in the creation of Collings’ T (Traditional) Series guitars. This rare collaboration, which continued right up until Bill’s passing, in July, 2017, has yielded another exceptional new guitar with an old soul. We are proud to present a highly personal extension of the T Series: the Julian Lage Signature OM1.

Though Lage’s guitar shares the same foundational specs as the OM1 T, it is unique in some key ways. Its neck feels like no other Collings guitar. That’s because it’s modeled after Lage’s cherished 1939 Martin 000-18. This pre-war gem is heard on the guitarist’s 2015 solo album, “World’s Fair,” and was his main touring acoustic for years.

The 000-18’s neck—which was of course originally hand-shaped and sanded—has a distinctive taper altered by decades of wear. For Lage, this particular neck had come to feel like home. Through careful analysis and digitization of its unique dimensions, we were able to precisely recreate its worn-in, asymmetric feel on his signature model. While we maintained the relatively narrow 1 11/16" nut of the 000-18's neck, we extended the fretboard from the original short scale to our standard 25 ½" length for slightly greater presence and note definition.

Lage has an affinity both tonally and aesthetically for vintage guitars whose finishes have mellowed after years of playing. To recreate this effect we initially considered a varnish, but to achieve the ideal combination of a thin finish application and a vintage aesthetic, we landed on a custom satin lacquer. This new finish offering not only feels and looks right to Lage, he finds it has the same inherent openness of tone that is present in the best pre-war instruments.

With his typical descriptive eloquence, Lage characterizes his signature model as a “lovingly neutral” guitar. It has a remarkably even response between registers. It’s not an empty flatterer, but an instrument that rewards you when you’re playing your best. In this way, Lage, whose own education is unending, sees the guitar as a teacher.

Lage’s signature model incorporates a script peghead logo not seen on a new Collings instrument in decades. This is the inlay that Bill hand-cut some 30 years ago when he started out in a tiny shop in Austin, Texas. We see this as a loving tribute to our late leader, who in his final project was able to realize the perfect new steel-string for one of today’s most exacting guitarists.

 Top: Adirondack spruce
 
Back & Sides: Honduran mahogany
 
Construction: Animal protein glue
 
Neck: Honduran mahogany
 
Body Binding: Tortoise with custom wood purflings
 
Fingerboard Binding: None
 
Peghead Binding: None
 
Bridge: Ebony belly-style with 2 3/16" spacing
 
Fingerboard: Ebony with gold MOP short dots
 
Bridge Pins/End Pin: Ebony with MOP dot
 
Nut: Bone, 1 11/16"
 
Saddle: Bone, drop-in
 
Neck Profile: Custom JL carve
 
Peghead Profile: Tapered square
 
Neck Joint: Mortise & tenon hybrid
 
Truss Rod: Fully adjustable
 
Frets: Medium 18% nickel-silver
 
Peghead Veneer: Ebony with gold MOP Collings script logo
 
Tuners: Relic nickel Waverly with vintage oval buttons (16:1 ratio)
 
Backstrip: 1-style (walnut)
 
Rosette: Custom wood rosette
 
Scale Length: 25 1/2"
 
Brace Material: Sitka spruce
 
Brace Pattern: Custom Traditional Series pre-war scalloped X-brace (no tongue brace)
 
Fingerboard Radius: 14" - 26" compound
 
Body Finish: Custom satin nitrocellulose lacquer
 
Neck Finish: Hand-rubbed satin nitrocellulose lacquer
 
Pickguard: Tortoise
 
Strings: D'Addario NB1253 (.012"- .053")
 
Case: Collings Traditional handcrafted case
 

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Sound Pure Studios Control Room A — Durham, NC

Sound Pure Studios · Durham, NC

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